Renaissance Madonna and Child Triptych Essay Example | Topics and Well Written Essays - 1500 words

Renaissance Madonna and Child Triptych - Essay ExampleA triptych is a three-piece complete panel that was a common altarpiece in the Baroque period created with some specific common techniques. They varied in size and particular shape, simply most had a roughly rectangular base and square or arched tops. The two side panels were almost always smaller than the center panel. They were make like this so that they could be easily folded up and transported with the priest when he went to preach in the country. As we learned in class, during this time in history, it was the church that preserved all of the arts and literature. As a result, they were the ones who usually commissioned the art and allowed the art to be seen. In technical elements, the painting is done with tempera on wood panels, which was a common way of working. Tempera is an egg-yolk-based paint that dries quickly and hardens into a very tough surface that made it ideal for traveling by bumpy wagons. Many of the tript ychs on display in m workoutums are made with this medium for this reason. To get the colors to work just right, Baroque painters would use a green earth pigment called Terre Verde for the under-painting and red sizing behind the gold leaf of the background (class notes). Gold leaf was always used in images of a religious nature because it symbolized the importance and nobility and purity of the figures. If you look closely, these attributes of green under-painting, red sizing and heavy use of gold leaf in the background are evident in this triptych as well as many other(a) similar works. such as Cimabues Madonna Enthroned and Giottos Madonna Enthroned that we proverb in class. Another common feature of Baroque art is the focus on brushwork. According to my class notes, the brushwork used during this period was very meticulous. Every exact line was carefully positioned to create a sense that the image just appeared on the panel. This makes a lot of sense, actually, considering th ey were working with gold leaf. Gold is very wistful and the smallest crease would cause reflections in one direction or another. By taking a perfectionist approach to the work, the artist could create the illusion of halos or other features within the gold leaf that would only appear when the light came from just the right angle. This would have added to the magic of the image for the benefit of the less-educated public. The general subject military issue of Vannis triptych is also very similar to the artwork of other Baroque artists working in this time period. In this painting as well as in Cimabues painting and Giottos painting, the Madonna is